(Saranya Ponvannan, by now, can probably play these mothers without even being told what her lines are.) There are scenes that target multiple audiences at once, like the one where SK gets drunk (cue, young males) and his mother (cue, women) quotes the on-screen warning, “Liquor drinking is injurious to health.” The star has his cake, eats it, and keeps dipping into the assembly line that runs from the bakery to the studio. ”)įor family audiences, we get the scene where SK, as the nurse named Remo, is overcome by emotion when he witnesses childbirth.
Ponnungaloda full time velaiye pasangala azha vekkaradhu dhaan. The lines targeted at their whistles keep coming. Then we have his core audience of young men. When word got out that I was a film writer, the first thing the kids asked was whether I knew SivakarthikeyanĪnna. Some years back, I was doing a story about a school for tribals in the Coimbatore area. Remo isn’t the product of a screenplay so much as a four-quadrant marketing exercise. He doesn’t just put himself up there with Rajinikanth, Ajith and Vijay. Remo is less about convincing us that a man can become a woman than reminding us Sivakarthikeyan has become a star. Who are these people? How did they know SK needed their services? Why am I asking these questions in a Sivakarthikeyan movie?
What we get is a foreign crew that materialises out of nowhere, gives SK his makeover, and leaves. We await the scene where SK frantically hunts for help in the makeup department. Ravikumar film, but only if he transforms himself into a female nurse. A small-time actor (SK, played by Sivakarthikeyan) discovers that he has a shot at a part in a K.S.